He was a man of many talents. Not
only did he have a penchant for poetry, but he had a gift for writing edgy plays and
novels with a radical flair. His name is Ihara Saikaku, and he was a 17th century Japanese
writer known for taking risks in his works.
Ihara Saikaku was born Hirayama Togo in Osaka in 1642, and little is known about his early
life. Despite sketchy personal details, Saikaku' reputation as a novelist, poet and
playwright who was the toast of Genroku-era Osaka is unquestionable.
We know that his wife died young and left him with a blind daughter, who also passed away
within a few years of her mother. Instead of retiring to a religious sanctuary, which
might have been expected at the time, Saikaku chose instead to travel and write. As a
result, and unusually for the period, Saikaku experienced different ways of life and saw
various parts of the country. Later, he made use of these observations in his work.
Whether at home in Osaka or on the road, Saikaku would search out the back alleys and
slums, as well as the gay theatres and teahouses. He consorted with beggars, peddlers and
prostitutes, flouting the caste system of the day, and later would entertain princes and
rich merchants with his literary skill. His written work uniquely captures the
cosmopolitan air of Osaka at the time, and the developing chinindo (way of the
townspeople), which was slowly replacing the bushido (way of the warrior).
Saikaku first found recognition as the leading disciple of Soin, a haiku poet, who ran the
Danrin school of poetry. Saikaku became the leading exponent of the school in Osaka and
worked to free poetry from the conventional rigid forms and restricted themes. He also
advocated that it be read in a more natural manner.
This radical approach was criticized. The renowned poet Basho commented that Saikaku's
poetry was vulgar and uninspired. That did not prevent the traveling wordsmith from
gaining quite a following in Osaka, where he was famous for his marathon poetry
performances. It is said that at the age of 36, he composed 1600 haiku in a single
performance. Three years later it is claimed he produced 3000 in a single day, and then in
a day and night recital when he was 43 he composed a staggering 23,500 poems. He was
nicknamed the "twenty thousand master."
Saikaku later became known for his great skill at story telling. His first novel,
published in 1682, "A Man Who Loved Love," is the story of a man who roamed the
countryside making love to scores of women and boys. It was also the first ukiyo-zoshi
(tale of the "floating world," compared to the more commonly known ukiyo-e,
pictures of the same theme). He followed it with other picaresque stories with similar
erotic themes, such as "Five Women Who Loved Love," "The Comrade Loves of
the Samurai," and his later series of tales "Mirror of Manly Love."
Saikaku gained the reputation of having an enormous appetite for the wonders of the wider
world and was given the nickname oranda Saikaku (Holland Saikaku). There is
little evidence to suggest that he actually had any dealings with the Dutch. More likely
the name was intended as a slur signifying his nonconformity.
In 1693 Saikaku died at the peak of the Genroku period, having set the standard for
ukiyo-zoshi and giving the next generation of writers, such as Ejima Kiseki, a new level
of literary maturity to live up to. Reading Saikaku's two dozen works of fiction today, it
is hard to imagine that the floating world of pleasures he so vividly evokes has long
since drifted away.
He was a man of many talents. Not
only did he have a penchant for poetry, but he had a gift for writing edgy plays and
novels with a radical flair. His name is Ihara Saikaku, and he was a 17th century Japanese
writer known for taking risks in his works. 
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