Issue Index

Features
  Mini Features
  Cultural Features
  Life in Japan
  Big in Japan
  Rant & Rave
  Cars & Bikes
  Health & Beauty
Jobfinder
  Money Talks
  Tokyo Tech
  Web Watch
  Food & Drink
  Features
  Restaurant Reviews
  Bar Reviews
  Word of Mouth
  Travel Features
  Japan Travel
  International Travel
  Travelogue
  Art
  Artifacts
  Fashion
  Tokyo Talk
  In Store
  Buyline
  Japan Beat
  CD Reviews
  In Person
  Concerts
  Clubbing
bar news and views
bar news and views
bar news and views
 LIVE CONCERTS

Popular
Jazz/World
Classical


776: Yoko Ono
775: Boredoms
772: Kurofunedan
768: Merzbow
766: Oshiripenpenz
765: YMCK
763: Shizuka Kudo
762: Mo’some Tonebender
761: Soil & “Pimp” Sessions
756: Tokyo Conflux 2008
754: Ed Woods
753: 8otto
751: Para
750: Fuji Rock Festival 2008
748: Katan Hiviya
745: Who the Bitch
742: Low IQ 01
740: Shake Forward!
738: iLL
736: Tobu Ongakusai
733: Yanokami
731: One Night in Naha
729: Shugo Tokumaru
727: Japan Nite
725: Getting out the vote
723: J-Melo
721: Electric Eel Shock
717: GO!GO!7188
715: Yura Yura Teikoku
712: Midori
710: Seigen Ono
708: Wrench
707: Shinichi Osawa
704: M-flo
701: Freesscape
699: Versailles
698: Fuji Rock Festival 2007
697: Uri Nakayama
695: UA
693: Shonen Knife
690: Kemuri
689: Ikochi
686: Best Japanese Albums
684: Monkey Majik
682: Shibusashirazu Orchestra
681: Jon Lynch and Juice magazine
677: DJ Kentaro
675: Sadistic Mikaela Band
673: Osaka Monaurail
672: Teriyaki Boyz featuring Kanye West
666: Oki
662: Amanojaku
659: Polysics
657: Oceanlane
655: Cornelius
651: Bomb Factory
642: Soul Flower Mononoke Summit
640: African JAG
637: Buffalo Daughter
635: Ryukyu Underground
633: Mazri no Matsuri
631: Mono
629: Coldfeet
628: Crystal Kay
625: J-pop goes def
623: Ken Yokoyama
621: Zazen Boys
619: Monday Michiru
613: PE’Z
611: Afrirampo
609: Sherbets
603: Double Famous
601: Meltone
599: Michiyo Yagi
597: Hifana
594: Guitar Wolf
592: Rip Slyme
590: Little Creatures
588: Bliss Out on Hougaku
586: Hoppy Kamiyama
584: Bliss Out on Hougaku
582: Mazri no Matsuri
580: Mari Natsuki
575: Towa Tei
573: The Beautiful Losers
571: Fantastic Plastic Machine
569: Nippop
567: Brahman
560: Shonen Knife
558: Nice Guy Jin
556: Toru Yonaha and Kinohachi
554: Hiromi Uehara
551: Nicotine
549: Ego-Wrappin'
545: Eastern Youth
538: Inside tracks
536: Outside the Box
534: Rainbow Warrior
529: Breaking the mold
527: Sadao China
524: The sound of cyberpunk
522: Ryuichi Sakamoto's Chasm
516: Ken Yokoyama
514: Jan Linton
512: Jazz messengers
509/10: Naoko Terai
507: Akiko Yano
504: Kotaro Oshio: Solo Strings
502: Refurbished rhythms
494: Resonance
492: Samurai.fm: cyber-swordsmen
490: Loop Junktion
488: Ryukyu Underground: Okinawan Odyssey
484: Gocoo: Reinventing taiko
481: Leonard Eto
479: Gaijin à Go-Go
477: Enemy music
475: Yoriko Ganeko with Chuei Yoshikawa
472: DJ Kaori
469: Yuki
467: Wrench
464: Young and swingin
462: Jazzy Live 2003 from Blue Breath
460: Shonen Knife
457/458: Date Course Pentagon Royal Garden
456: Yuka Kamebuchi & The Voices of Japan
454: Jude
452: Kokoo
451: BBQ Chickens
449: Man and the machinery
446: Crystal Kay
443: Lava
440: Jazz on Leave
437: Rip Slyme
434: Boom Boom Satellites
432: "Rambling" Steve Gardner
430: Dry & Heavy
428: The Birth of OE
426: Anmitsu
424: Happy Kamiyam
422: Shing02
420: Supercar
418: Ryuichi Sakamoto
416: Kick The Can Crew
414: King Brothers
412: Kazufumi Miyazawa
410: Japanese Independent Music
408: The Yoshida Brothers
406: Love Psychedelico
393: Mikidozan
391: Shelter 10th Anniversary
389: The beautiful losers
387: Junpei Shiina
383: Umekuichi
381: P'ez
379: Boredoms
377: Dai Sakakibara
375: Dreams Come True
373: eX-Girl
370: Pizzicato Five
368: Dub Squad
366: Buffalo Daughter
364: Phew Phew L!ve
362: Fumio Yasuda
360: Boom Boom Satellites
358: Kei Kobayashi
356: Cool Drive Makers
354: Bird
351: United Future Organization
349: Audio Active
347: Ondekoza
345: Misia
343: Brahman
341: Puffy
339: Ryukyu Festival 2000
337: Rappagariya
335: Lisa Ono
333: Air Jam 2000
331: Feed
327: Tenkoo Orchestra
325: Wrench
323: Sadao Watanabe
321: Dry & Heavy
319: Bonny Pink
317: Sakura Hills Disco 3000
315: Aco
313: Rovo
311: The Mad Capsule Markets
309: Coldfeet

Ken Yokoyama

The Hi-Standard guitarist puts it on the line in his solo debut

"I was a kid/All I wanted was something called freedom," sings punk rocker Ken Yokoyama in the opening lines of the title track for his debut solo album. "I didn't know/That the glory also calls for sacrifice/With the pleasure comes the pain/Now I know."

As guitarist for punk rock unit Hi-Standard, one of a few Japanese punk bands to tour overseas, and honcho of marquee punk-indie imprint Pizza of Death records, Yokoyama knows the loneliness of trying to go against Japan's corporate flow. For more than a decade, he's been expressing anti-establishment themes and battling to make Pizza of Death a viable concern.

The story of The Cost of My Freedom sounds like an equally difficult battle. Around the time that Hi-Standard ceased activity in 2000, Yokoyama remembers feeling stifled playing only guitar. "I'm a guitarist and it's my main instrument, but I'm not like an Al di Meola or Joe Pass… There was something missing…it was the 'song,'" he writes on the Pizza of Death website.

Yokoyama had the desire, and had written some tunes on acoustic guitar, but was not sure how to proceed with them, wondering whether to go strictly acoustic or bring in a backing band. And with Hi-Standard on hiatus, he was suddenly busy with a number of projects, including playing with the highly rated BBQ Chickens, guesting with 20-year punk veterans the Gembaku Onanies ("Atomic Bomb Masturbators"), and producing bands like last year's phenom Hawaiian6.

Before he knew it, Yokoyama says, the five-year deadline he'd set himself for the project was drawing near. "I felt if I didn't do it now I never would, so I booked a studio for February," he writes. "I decided first to record the five songs I'd already written, but since this was for real, I had to think about finding members." Calling on bassist Low IQ Ichi, drummer Jah-Rah, and keyboardist Hirohisa Horie, Yokoyama says, "I invited them over to my house and, over yakiniku, played them some of my songs-we'd finished four new songs before we knew it."

The resulting sound on The Cost of My Freedom is a contrast between intimate acoustic and hardcore numbers. In the lead-off track, an acoustic number with organ, for instance, Yokoyama emotes, "In the end/I must make it on my own/Made my choice so I go alone." And later he delivers a sweet, Beatles-esque song, "I'm Not Afraid When I'm With You," with the help of one of the members of girl duo Puffy. But the album becomes progressively heavier, with the backing band letting rip a fusillade of scorching melocore and Husker Du-like thrash by the midway point of "Funny Things" and "Popcorn Love."

While it's not unusual to hear Japanese vocalists sing in English these days, Yokoyama does it with aplomb. A veteran of US tours, his accent and vocabulary don't grate on Western ears, and despite sometimes wearing his heart on his sleeve a bit too obviously, he thankfully doesn't mangle his English by attempting to blend it with Japanese.

Ken Yokoyama plays Magic Rock Out alongside Iggy Pop and Primal Scream on March 20. See concert listings for details.

credit: Pizza of Death

top