Home
Feature
The Small Print
Faces & Places
The Goods
Travel
Tech Know
Sports
Cars & Bikes
Arts & Entertainment
Music
Japan Beat
Clubbing
Art
Stage
Books
The Agenda
Listings
TV
Movies
Dining Out
Sake
Wine
Tastemaker
Table Talk
Local Flavors
International Dining
Restaurant Review
Bar Review
Classifieds
Jobfinder
Horoscope
Mailbox
The Last Word
Photo of the Week
Archive
About Us
Subscribe
Search
Distribution Points




exhibitions
 ARTIFACTS
Artist Mitsuhito Takeuchi is providing a bit of artistic excitement to the drab environment of the Tokyo Metropolitan Government Building in Shinjuku. Takeuchi is best known in Japan for public art pieces, like decking out several trains in Kochi Prefecture, Shikoku, with wild colors and designs. As part of a new project, which is designed to stimulate energy and creativity within the hallowed government halls, the artist has created a large dynamic sculptural painting that delivers a colorful blow to the perfunctory lobby of one of Japan's largest office spaces. The piece is on display in Building 1 of the Metropolitan Government building until September 3. AC

 PAST ISSUES

775: Twelve Travels
773: Fuchu Biennial
769: Leonard Foujita
767: Andrew Wyeth
765: Tokyo in the 1930s
763: Treasures by Rinpa Masters
761: Yokohama Triennale 2008
759: Vermeer & The Delft Style
757: John Everett Millais
755: Avant Garde China
753: The Railway Museum
751: Parallel Worlds
749: George Raab: Canadian Wilderness Etchings
743: Daido Moriyama
741: Bauhaus Experience, Dessau
739: The Perry & Harris Exhibition
737: The House
735: XXIst Century Man
733: Kaii Higashiyama
731: Three Weeks of Art Celebration
729: Fashion + Art
727: New Horizons: The Collection of the Ishibashi Foundation
725: Yokoyama and Toulouse-Lautrec
723: Goth: Reality of the Departed World
721: Genesis Art Lounge
717: Tatsuya Matsui: Flower Robotics
715: Space for Your Future: Recombining the DNA of Art and Design
713: MoMA Design Store + Gallery White Room Tokyo
711: Roppongi Crossing 2007: Future Beats in Japanese Contemporary Art
709: Daikanyama Installation 2007
707: Nippon to Asobo
705: Marina Kappos at Tokyo Wonder Site
703: African-American Quilts: Women Piecing Memories and Dreams
701: Kids Earth Fund
699: The Mural Art of Kotohira-gu Shrine: Okyo, Jakuchu and Gantai
697: “Ayakashi” and “Odilon Redon”
695: Architects Around Town
693: Chocolate
691: My Civilization: Grayson Perry
689: Henry Darger: A Story of Girls At War—of Paradise Dreamed
687: Taisho Chic: Japanese Modernity, Nostalgia and Deco
685: Marlene Dumas: Broken White
683: The Mind of Leonardo: The Universal Genius at Work
681: Suntory Museum of Art and 21_21 Design Sight
679: Art Fair Tokyo 2007
677: Gregory Colbert: Ashes and Snow
675: The Door into Summer: The Age of Micropop
673: World of Kojima Usui Collection
671: Keeping TABs
669: The National Art Center, Tokyo
667: New Year’s Preview
665: Jason Teraoka: Neighbors
663: The 3rd Fuchu Biennale: On Beauty and Value
661: Bill Viola: Hatsu-Yume (First Dream)
659: Shinro Ohtake Zen-Kei
657: Prism: Contemporary Australian Art
655: The Royal Museums of Fine Arts of Belgium Exhibition
653: Luisa Lambri
651: Modern Paradise
649: The Legend of Ultraman
647: Nihonga Painting: Six Provocative Artists
645: Echigo-Tsumari Triennial
643: Art × Communication = Open!
641: YOROYORON: Tabaimo
639: Africa Remix
637: Mashcomix
635: Move On Asia and Hitoshi Nishiyama’s White Out
633: A Passion for Plants
631: Chikaku: Time and Memory in Japan
629: A Sense of You, Created by Me
627: Beautiful Cities in Dreams
626: 77 Million
625: No Border
623: The 9th Annual Taro Okamoto Memorial Award for Contemporary Art
621: Tokyo-Berlin/Berlin-Tokyo
619: Conversation With Art, On Art
617: Olafur Eliasson: Your light shadow
613: Mayumi Terada: New Works
611: Gerhard Richter: New Works
609: Hokusai
607: Stephan Balkenhol: Skulpturen und Reliefs
605: International Triennale of Contemporary Art 2005
603: CWAJ 50 Years of Print Show
601: Hiroshi Sugimoto: End of Time
599: Shinji Ohmaki: Echoes-Infinity
597: Miwa Yanagi
596: Cubism in Asia: Unbounded Dialogues
595: Canada Tsuga: The Feeling of Wood
594: Laurie Anderson: The Record of the Time
593: Today's artists X: Nishimura Morio/Matsumoto Yoko
592: Masaaki Yamada
591: Follow me!
590: Daido Moriyama: Buenos Aires
589: Mutsuro Sasaki: Flux Structure
588: Shinro Ohtake
587: Masterpieces of the Louvre Museum
586: Tabaimo: Yubibira
585: Yasumasa Morimura: Los Nuevos Caprichos
584: Julian Opie: Films and Paintings
583: Masterpieces of the museum island
582: The Elegance of Silence
581: Tapies
580: The world is a stage: Stories behind pictures
579: Shigejiro Sano At Play in the Esprit of Paris
578: The Body: Hitoshi Abe
577: Tenshin Okakura: The Awakening of Japan
576: Contemporary Spanish Photography: Ten Views
575:Taro Okamoto Memorial Award
574: Takeshi Tamai: Till Moss Grows On
573: Laura Owens
572: Alphonse Mucha: Treasures Of The Mucha Foundation
571: “Welcome, Welcome” Art-Beijing-Contemporary
570: The hidden side of Japanese art
569: Art Scope 2004: Cityscape Into Art—Michiko Shoji + Johannes Wohnseifer
568: Life Actually
567: Traces: Body and Idea in Contemporary Art
566: Mirrorical Returns: Marcel Duchamp and the 20th Century Art
565: Archilab: New Experiments In Architecture, Art and the City, 1950-2005
564: The Second Annual Fuchu Biennale
563: Have We Met?
561-2: Fluxus: Art Into Life
560: Christopher Wool
559: Pop Art and co.
558: Art & Money
557: Art of the Japanese Postcard
556: Yayoi Kusama: Eternity-Modernity
555: Ihei Kimura: The Man with the Camera
554: Wolfgang Tillmans: Freischwimmer
553: Emerging Generation
552: Larry Clark: Punk Picasso
551: Cool & Light: New Spirit in Craft Making
550: Angelo Mangiarotti: Un Percorso
549: Endo Akiko: Poetry of an Everlasting Life
548: Paris and Klein
547: Yoshitomo Nara: From the Depth of My Drawer
546: Colors: Viktor & Rolf & KCI
545: Micro Presence & Macro Presence
544: Non-sect Radical: Contemporary Photography III
543: Pastoral and Flowers in Modern French Painting
542: Collapsing Histories: time, space and memory
541: Supernatural Artificial
540: Jiro Takamatsu: Universe of His Thought
539: The World Press Photo 2004
538: I Dreamt of Flying: Noguchi Rika
537: Man Ray Exhibition: The Gift of His Vision
536: Why Not Live For Art?
535: Brazil: Body Nostalgia
534: n_ext: New Generation of Media Artists
533: Empty Garden II
532: Street Art in Africa: A Color Commotion
531: Modern Crafts and Design from the Museum Collection: Art Deco
530: And or Versus? : Adventures in Images
529: Modern Means
528: Remaking Modernism in Japan 1900-2000
527: Treasures of a Sacred Mountain: Kukai and Mount Koya
526: Jan Jansen: Master of Shoe Design
525: Yasuo Kuniyoshi: Between Two Worlds
524: Beyond The Border: Seung H-Sang and Yung Ho Chnag
523: Testimony of Life: Ancient Roman Portraits from the Vatican Museums
522: I Love Art
521: "My" Siberia and "My" Earth: The 30 Year Memorial Retrospective Exhibition of Yasuo Kazuki
520: Time of My Life: Art with a Youthful Spirit
519: Joy of Life: Two Photographers from Africa-JD 'Okhai Ojeikere and Malick Sidibé
518: Roppongi Crossing: New Visions in Japanese Art 2004+Kusamatrix
517: Exposition Musee Marmottan Monet
516: Treasures of a Great Zen Temple: Nanzenji
515: Johannes Itten: Ways to Art
514: Meiji Kaigakan (Memorial Picture Gallery)
513: Kaii Higashiyama: One Man's Path
512: Future Cinema: The Cinematic Imaginary after Film
511: Yasujiro Ozu: Japanese Film Master
509/10: End-of-the-year review and 2004 preview
508: Surface tension
507: Jean Nouvel
506: Makoto Aida: My Ken Ten
505: Gaudi: Exploring Form
504: Ino Tadataka and Old Maps of Japan/Fusuma Paintings of Jukoin
503: Naoshima Contemporary Art Museum
502: Happiness: A Survival Guide for Art and Life
501: Today's Man
500: Taro Shinoda: Helicopter 1

Issues 499-
Issues 449-
Issues 399-

By Jeff Michael Hammond

Paris and Klein

An photographer famed for his portraits of New York takes a look at Paris

EXISTENCE, Paris, 1995

New York-born photographer William Klein caused a sensation in the ’50s with his stark and sometimes crude and violent imagery of the city in his 1954 book Life is Good, and Good for You in New York. Rejecting both the dominant classical look of Cartier-Bresson and others, and also the common “fly-on-the-wall” approach to documentary, Klein actively engaged himself with his subjects, often to the point of thrusting the camera in their faces.

It was a daring first step into the art world, and one that was rewarded with ridicule and accusations of “photographic incompetence.”

Klein continued undeterred, even accepting commissions for fashion work—his surreal imagery adding to the repertoire of the fledgling art form. Since the ’50s, Klein, today an active 76-year-old, has lived predominantly in Paris.

Photographs of his adopted city from the ’60s through the last few years are the subject of a new exhibition, “Paris and Klein,” at the Tokyo Metropolitan Museum of Photography in Ebisu.

Some of Klein’s Paris works share the blurred chaos of his early New York photos. Applied to the colorful shapes of dancers at a carnival, this technique can enhance the sense of chaos, but it isn’t as effective when shooting a rugby match.

Autoportrait, 1994

When photographing people on the street rather than individuals, Klein seems most concerned with taking shots of crowds or small groups, often at demonstrations or parades. At times he manages to catch some interesting scenes and facial expressions, as in a shot of high school girls demonstrating in 1966, but few of the photographs here manage to capture that defining moment the way other icons of contemporary photography managed to.

Untypical of Klein is a posed studio shot we see early in the exhibition—a black-and-white print of Serge Gainsbourg with striking red lips for his 1984 album, Love on the Beat. The image is all grainy, stark contrast, the lips more likely having been painted in afterwards than the result of Serge applying lipstick.

Klein was generally not comfortable with studio work. Even when tackling fashion photography, he preferred taking the models out and placing them in unusual situations. One of his tricks, seen here in Isabella & the Opera & White Faces, Paris 1963, was to place the model in a crowd whose constituent faces were later painted out, giving further emphasis to the model.

In a work of images taken at fairgrounds from

Brazilian Dancer, Carnavalcade, Saint-Denis, Paris, 2000

2000, the rides and the people on them are treated almost as abstract shapes. Perhaps some of the playfulness Klein found in fashion photography fed back into his other work. This is one of a number of pieces in which Klein paints and/or includes the perforated strip of Kodak film around the image, which is thereby rendered just one element of a bigger design.

Klein’s visual documents of mixed marriages, Rubenesque women in bathhouses, or techno parties under the Eiffel Tower are interesting enough, but considering his elevated status in the world of photography, we might have expected some more explosive imagery from this godfather of photography. Perhaps the New Yorker found his greatest inspiration closer to home after all.

Until Oct 6, ¥800 (adults), ¥700 (students). Ebisu Garden Place, 1-13-3 Mita, Meguro-ku. Tel: 03-3280-0033. Open Sat-Wed 10am-6pm, Thurs-Fri 10am-8pm. Nearest stn: Ebisu (Ebisu Garden Place exit). www.syabi.com

Photo credits: © William Klein