CD REVIEWS
GOO GOO
DOLLS / What I Learned About Ego, Art, Opinion & Commerce
(Warner)
While they wait for frontman Johnny Rzeznik to get over his writer' block, US rock trio the Goo Goo Dolls released this remix album that looks back on a nearly 15-year career and revisits both their classic and lesser-known songs. Of course the question arises: Do we really need a retrospective on a career that has for all intents and purposes never risen above the mediocre? A side-by-side comparison with the original versions may point up some differences between the earlier mix and the new remix here of hits like "Name," but why not call a spade a spade and simply title this a greatest hits album? Rockers take note: remix albums are best left to the dance world.
TONINO
BALIARDO / Essences
(Epic)
With Spain's international supergroup the Gipsy Kings due in for engagements at the Tokyo International Forum and NHK Hall this week, the timing couldn't have been better for the release of this first solo album by Kings guitarist Tonino Baliardo. Compared to the Kings' chest-thumping Latin brio, Baliardo offers up a more contemplative, personal take on the gypsy-flamenco fusion that has propelled the Kings' career. "Redemption" is a soul-searching ballad, while "Bossa Nueva" has a bright, sunny feeling tinted with hints of jazz. "Cynthia" is an even mellower love ballad, and "Caravan" evokes the nomadic gypsy lifestyle with haunting voices whispering like the wind. Only on "Recuerdo Apasionado" does Baliardo let loose a fusillade of the virtuoso guitar fireworks typical of his work with the Kings.
Bran
Van 3000 / Discosis
(Grand Royal)
We have all found ourselves poring over our record collections at one time or another trying to find that perfect mix for that special someone, which is exactly how James Di Salvo describes his brainchild, the new Bran Van 3000 album. Over 20 artists contribute to
Discosis, among them superstars Curtis Mayfield, Dimitri from Paris, Youssou N'dour and Eek-a-mouse, just to name a few, creating an aural collage of just about everything. Issued following a European tour with Massive Attack, Discosis rides the success of their last hit, "Drinking in LA," focusing in the first half mostly on dance and house breaks that sound more like a nouveau French Daft Punk album than a bunch of guys from Montreal. The mood changes, however, halfway through, with the introduction of tracks that vary from rock to ballads, leaving visions of Hole and the Cranberries dancing in your head. Ryan Hart
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